30/11/2009

Beauty

21/04/2009

Puppet Theatre

“After a third and fourth attempt he became quite embarrassed; ten times he tried, but it was no use. He was incapable of reproducing the original movement.”
(...)
“We see that in the organic world, as thought grows dimmer and weaker, grace emerges more brilliantly and decisively. But just as a section drawn through two lines suddenly reappears on the other side after passing through infinity, or as the image in a concave mirror turns up again right in front of us after dwindling into the distance, so grace itself returns when knowledge has as it were gone through an infinity. Grace appears most purely in that human form which either has no consciousness or an infinite consciousness. That is, in the puppet or in the god."

"Does that mean", I said in some bewilderment, "that we must eat again of the tree of knowledge in order to return to the state of innocence?"

"Of course", he said, "but that's the final chapter in the history of the world."

Kleist (1810) Puppet Theatre

07/04/2009

Priveligiar a sensualidade heteroerótica
Priveligiar a sensualidade homoerótica
Priveligiar a sensualidade geométrica
Priveligiar a sensualidade abstracta

Ao nomear todas as nuances
perdeu-se a sensualidade
há que dormir como quem faz reset

Naming the already too obvious
brings new possibilities of meaning

26/03/2009

Ler e escrever

Read and write bodies
Read and write space and time

29/11/2008

Dance, Movement, and Bodies: Forays into the Nonlinguistic